Arts
Young Artists’ Designs Head To Redwood City Polling Places
By Katherine Langford
Myth, Romance, and a World Premiere: Inside San Francisco Ballet’s 2026-27 Season
Katherine Langford
Katherine Langford
Editor-in-Chief · Edina, MN
Katherine oversees editorial operations across all six brands. Before joining The Meridan Group, she spent 14 years at the Minneapolis Star Tribune, where she led the metro desk through its digital transformation. She holds a Master's in Journalism from Northwestern's Medill School.
More from Katherine →Editor-in-Chief · Monday, November 2, 2026 at 5:25 PM · 1 min read
Ballet is the original escape. One night, one orchestra, and suddenly you’re in a royal court, an enchanted forest, or a Parisian gambling den. This season San Francisco Ballet is making the case that ballet’s greatest power is its ability to transport you somewhere else.Under artistic director Tamara Rojo, the 2026-27 Season moves between timeless masterpieces and new work never before seen in San Francisco. Rooted in a nearly 100-year-old legacy and San Francisco’s appetite for reinvention, it’s a mythic, romantic, and occasionally provocative season for longtime balletomanes and curious first-timers alike.Start with the classicsThe season opens where SF Ballet’s story began: Nutcracker (Dec 4-27) returns for the holidays from the company that staged America’s first full-length production in 1944. Then comes the fairytale that inspired them all, The Sleeping Beauty (Jan 29-Feb 7), back in San Francisco for the first time since 2018. Helgi Tomasson’s staging, originally created for th
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